WGA on strike
Nov. 5th, 2007 06:48 pmfrom a WGA member's report on a pre-strike meeting:
"The bottom line is the complete intransigence of the producers on the
issue of the internet. They refuse to discuss any issues unless and until
the WGA takes Internet completely off the table.
The producers want there to be very, very, very little paid on the internet
sale of programs (downloads) and nothing paid on what they declare to be
promotional usages. And they have declared that showing complete films
or complete episodes of television series on the internet -- even with
commercials or other forms of revenue generation -- is strictly promotional
and no payments are due to the writers. (Or anyone else, which will be the
position they'll take when the SAG, DGA, and below-the-line contracts
come next year.) And it's pretty clear that, in the next ten years, pretty
much all television will be watched on the internet. So this proposal would
go along way to destroying a lot of people's livelihoods."
As a writer, as someone who depends upon being fairly compensated for my work, in all forms (print, electronic) and all delivery means (paper, digital, visual, aural, Yet to Be Invented), I support the strike and the striking workers.
I will not watch any new projects created during the strike period (they anticipate 4-5 episodes [to mid-December] already in the can on most shows) using non-union writers. Any show using non-union writers will go off my viewing rotation.
It's not much. But it's all I can do.
"The bottom line is the complete intransigence of the producers on the
issue of the internet. They refuse to discuss any issues unless and until
the WGA takes Internet completely off the table.
The producers want there to be very, very, very little paid on the internet
sale of programs (downloads) and nothing paid on what they declare to be
promotional usages. And they have declared that showing complete films
or complete episodes of television series on the internet -- even with
commercials or other forms of revenue generation -- is strictly promotional
and no payments are due to the writers. (Or anyone else, which will be the
position they'll take when the SAG, DGA, and below-the-line contracts
come next year.) And it's pretty clear that, in the next ten years, pretty
much all television will be watched on the internet. So this proposal would
go along way to destroying a lot of people's livelihoods."
As a writer, as someone who depends upon being fairly compensated for my work, in all forms (print, electronic) and all delivery means (paper, digital, visual, aural, Yet to Be Invented), I support the strike and the striking workers.
I will not watch any new projects created during the strike period (they anticipate 4-5 episodes [to mid-December] already in the can on most shows) using non-union writers. Any show using non-union writers will go off my viewing rotation.
It's not much. But it's all I can do.
no subject
Date: 2007-11-06 12:10 am (UTC)How can we find out which shows are using scabs, though?
no subject
Date: 2007-11-06 12:12 am (UTC)no subject
Date: 2007-11-06 12:27 am (UTC)MUST. HAVE. REAL. PAPER. BOOK. IN. MY. HANDS. MUST. }:P
no subject
Date: 2007-11-06 07:38 am (UTC)Give the e-book a break.
no subject
Date: 2007-11-06 10:28 am (UTC)er.... there are almost as many start-up costs to create an e-book as there are to create a paper book. Production doesn't just 'happen' magically, even in electronic format. Unless of course the publisher decides to skip things like editing, copyediting, proper design and/or art, proper file transfer and management...
/publishing 102 mini-rant
no subject
Date: 2007-11-06 03:33 pm (UTC)But, yes, ebooks do not spring into being fully formed at no cost.
no subject
Date: 2007-11-06 07:39 pm (UTC)no subject
Date: 2007-11-07 08:02 am (UTC)no subject
Date: 2007-11-08 04:04 am (UTC)I can't help but look at these anti-e-book arguments as... well funny. It's such a strange thing to be so angry about. Change happens, you know? Maybe e-books will take off, maybe they are the laser-disk of reading, I'm not sure... but the things we write on and with HAS changed. No longer stone and clay tablets, no longer cloth and papyrus scrolls and parchment, no longer the thick heavy paper of 18th century books... or 19th century books... hell, 20th century books. Go to any library and its clear that books have changed from 1930's to now.
All I'm saying is that e-books are hardly evil... sure they aren't what we're used too, and books will always be beloved regardless of what format we move to. I was not even around when vinyl was the thing, and I own real records. I just think when size and portability are becoming the growing issues in modern society... novels are going to respond in some way.
::shrugs:: that's just what I think.
no subject
Date: 2007-11-08 08:46 am (UTC)no subject
Date: 2007-11-06 07:48 pm (UTC)For me, it's not the same. I can't absorb the story as well as I can with a real book in my hands.
no subject
Date: 2007-11-06 12:44 am (UTC)I wasn't planning on being slightly relieved that I hadn't heard back yet from the production company who'd asked to see the Haunted Ballads, but I am. Because right now, well, no.
Coming on the heels of Simon & Schuster's little attempted landgrab this summer, this stuff is really beginning to piss me off.
no subject
Date: 2007-11-06 01:09 am (UTC)I shall miss Jon Stewart, et al, but I am on the side of the writers. No brainer. People should be compensated for what they create.
I think there should be time linits tho. 100 years sounds about right.
no subject
Date: 2007-11-06 01:59 am (UTC)no subject
Date: 2007-11-06 07:39 am (UTC)no subject
Date: 2007-11-06 12:11 pm (UTC)I too plan to not watch anything written by non-union writers.
I am almost ashamed to admit, though, that this is the first time I've ever felt a union was totally justified in strking.
no subject
Date: 2007-11-06 01:05 pm (UTC)SCAB!
Date: 2007-11-06 03:01 pm (UTC)http://losangeles.craigslist.org/sfv/wet/466598027.html
- Christine