lagilman: coffee or die (Default)
[personal profile] lagilman
How can you buy cut flowers? They die so soon.
Yes, I know, I said, and rearrange the stems, standing back. That's the point.
We stare at each other, uncomprehendingly.


Micro-fiction? Or poem?

Discuss.

Date: 2012-04-03 04:59 pm (UTC)
From: [identity profile] jamileigh17.livejournal.com
The only possible answer to that: Yes.
It's both, and neither, and that suits it perfectly.

Date: 2012-04-03 08:25 pm (UTC)
From: [identity profile] mtlawson.livejournal.com
I'm almost tempted to say "non-fiction", given some of the discussions I've had with my wife.

Date: 2012-04-03 09:15 pm (UTC)
From: [identity profile] brownkitty.livejournal.com
I don't know. It sounds almost as if it would make a decent haiku.

Date: 2012-04-03 11:29 pm (UTC)
From: [identity profile] saruby.livejournal.com
It could be either, although the last line leans toward micro-fiction. Without that line it is definitely poetry. Why the difference? The final line is a sort of closure that poetry often leaves unresolved. Then the reader can create closure from her/his own imagination. At least that's my take on it.

Date: 2012-04-04 02:38 am (UTC)
From: [identity profile] faos.livejournal.com
English version of tanka (or waka) -- basically, a haiku with two final lines (or fourteen syllables) giving an emotional context/perspective on the poem. (Haiku are 5-7-5 syllables, tanka are 5-7-5 + 7-7 -- the final two lines are sort of a commentary on/emotional reaction to the first three lines).

But given the massive differences between English and Japanese, this reminds me of nothing so much as a modern tanka.

In any case, it's quite beautiful.

Date: 2012-04-04 06:26 am (UTC)
From: [identity profile] neko-san.livejournal.com
I say micro-fiction. Maybe since I don't get poetry.

Somewhere in my archives I have a stack of 100 word stories that I saved from talk.bizarre in the early 90s. That's where this fits in, in my mind. Lovely, poetic, tiny story.

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lagilman: coffee or die (Default)
Laura Anne Gilman

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