That weekly accountability post.

I did pretty well last week - being cranked into high gear by Two! Rush! Jobs! got me moving at top speed. But I paid for it yesterday by coming down with a severe case of Donwanna. So have to get back into a reasonable bear [this was a typo for gear. But I like it and so am keeping it] this morning...

The plus side is that Tuesday is BRUCE! and then this weekend is a trip up to Boston, and then next Monday is MORE BRUCE! so there are rewards to get me through.

Now, if my eyes would only stop hurting, I could get to't.


Carried over from last week

- finish revisions on "Dance" (due April 6th)
- work on freelance project(s)


New Stuff

- Newsletter (late. oh well.)
- Finish line-editing stories for Buzzy
- Start prepping chapter two of Operation Oy to go out
- Polish up proposals to run by Madame Agent
- make sure all the backers got their novella delivered properly
- buy plane tickets
- BRUCE!
- Passover prep
- Start plotting-out FIXED
- Get more stories out into the mix-n-mingle
- poke at the Devil's West story ideas I came up with over the weekend

Practical Meerkat: In Which I Plot.

First: the ObPromotionalBit: A half-faun PI. A girl who sees Death. Magic that runs on electricity. NYC. You know it's gonna be a party... http://www.kickstarter.com/projects/980297055/miles-to-go-promises-to-keep-a-cosa-nostradamus-pr

Ahem. And now, onward to the writing neep.

So, today I started working on the second mystery project. And The first thing I did was take out the proposal (the thing my editor saw) and start breaking it down into an actual Plot.

I know a lot of damn fine writers who freak out when asked to sit down and figure out where the plot's going. If they think about it too much, the story dries up on them. I can empathize to a certain degree: I try not to think about the final (or the penultimate) chapter until I actually get there, and then I see how the changes along the way have altered the closing scenes. But the first three-quarters of the book? That, I plot out. And I especially plot it out when I'm working on a mystery (no matter the genre).

(Yes, I'm a Virgo. What was your first clue? Not that I believe in any of that stuff, mind you. Except when I do.)

For me, though, plotting is like packing. Yeah, you CAN just throw stuff in your kit & go, but then you run the risk of getting there and realizing that you need That Thing you left at home. And yes, sometimes you can run out and buy what you need, but then there's cost (in money - or, in this analogy, of time in rewriting everything up to that point), and what happens if what you need changes everything you've done? It's like packing for the tropics and ending up in Nepal.

- mind you, I've done that. I mean, thrown a toothbrush, a random change of clothes, and my meds in a bag and headed for the airport. But what you can do for a two-day trip (or a short story) isn't the same as traveling for a week, or a month, or a hundred thousand words.-

Right now, I feel like I'm pre-packing - lining up all the plot-things I need, & seeing how best to fit them all in... It's fun. But then you realize something needs to go BOOM earlier, and you have to haul everything out and resort...

I can see where some people say screw it, and dive into telling the story. But for these books? A packing list is essential.

Now. Where does that first BOOM fit....?


EtA: Hah! Found the first BOOM. And it was hiding later in the outline, of course...